At the beginning of the year, I set myself a challenge, to
complete an application for the French sketchbook festival, Rendez-vous du Carnetde Voyage 2020. I have visited the event in the city of Clermont-Ferrand twice
in the last few years and really enjoyed looking at the work of the exhibitors.
My application was sent this week and the 20 illustrated pages which I have
completed so far are below. I have written a little about it on a previous blogpost and shown the initial roughs. Even if I am not selected, I think I will
continue with the project. Publishing it would be great but even having it as a
digital book may be an option too.
Friday, May 1, 2020
Monday, April 13, 2020
Back garden drawing
Plenty of opportunity to draw in my back garden at the
moment with the weather being so good. I drew each of the plant detail spreads
over several days, trying to find different leaf shapes and tones of green. With
the plant pages I just used direct watercolour but I put down some pencil lines
first on the one with the backs of the houses.
Drawn in a Stillman and Birn 10 x 8 inch Zeta sketchbook
Monday, April 6, 2020
Sketches from Kew
I was lucky to make two drawing trips to Kew Gardens earlier this
year, before the recent closure due to the Covid-19 virus. Most drawings were
made in the glasshouses, but I did manage a couple outside although the weather
was pretty chilly!
Drawn in a Stillman & Birn Zeta Series sketchbook using
Winsor & Newton Professional Watercolours. The greens used were mainly
Oxide of Chromium and Perylene Green, mixed with some yellows and purples.
Monday, March 30, 2020
Towers in Seville - continuing my personal project
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La Giralda |
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A decorative building at the end of one of the streets |
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One of the Towers at Plaza de Espana |
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Torre del Oro |
Monday, March 9, 2020
A winter break in Versailles
I love visiting France so when Versailles was suggested for a short winter break, it seemed a good idea. Of course, the chateau and gardens are on everyone’s ‘to do’ list when visiting Paris but I was interested to find out what the rest of the town is like.
We travelled on a Monday morning by Eurostar from St. Pancras to
Paris Gare du Nord, then took the metro to Gare Austerlitz where we caught a
RER train to Versailles Chateau Rive Gauche.
The hotel I’d booked - L’hotel Angleterre - was at the budget end of places to stay and although the room was small it was clean, the staff were very welcoming and it was a great location being only a short five minute walk to the gates of the palace.
After settling in, we went for a walk around the palace gardens (The chateau is closed on a Monday) and had something to eat in La Flottille, by the Grand Canal.
I’d bought two-day passports (25euros per person in winter) to the Chateau online prior to travelling and we arrived early on the Tuesday and Wednesday where a small but not off-putting queue had already formed.
As well as going inside the chateau and seeing the exhibition being held there, we also did lots and lots of walking in the grounds and looking at trees. Wondering how everything had been constructed at that time in history. Pondering about the logistics, and cost, of all the construction.
Opposite the entrance of the palace grounds there is a museum housing the historic coaches (free entry) and further into the town, the king’s veggie patch, the ‘Potager du roi’ (6 euros per person). Of course, it wasn’t the best time to visit the vegetable garden as it was almost completely bare of produce with just a few hardy greens growing. Still, it was interesting to see the skeletons of the fruit trees lined up neatly in rows ready for their work later in the year.
The town is split into two halves by the palace and there are two self-guided
walking trails you can follow to discover more about the history of the rest of
the area. We picked up a map from the Tourist Office and searched out the
history boards which have English as one of the featured languages. It was nice
to explore the quiet parts of the town.
Returning home on the Friday, we took some time to walk around the
Marais area of Paris, following a map in a guidebook I’d taken with me. Then a whistle-stop
tour of the famous sights – the Eiffel Tower, the Louvre and Notre Dame,
currently shielded by hoardings as the fire repairs get underway, before
heading back to Gare du Nord for the Eurostar home.
It was a really nice trip, quite relaxing and not too expensive.
Lots of inspiration from the palace grounds and all things French. Wrought
iron, decoration, fabrics and over the top grandeur.
Monday, March 2, 2020
My illustration process - Making a promotional mailer
One of the perennial
problems of being an illustrator is how to let art directors, designers and publishers
know about you and your work. I have my own website and a portfolio page on the AOI website to showcase previous projects and use Instagram and Twitter to
highlight sketches and work in progress. Still, trying to get seen by commissioners
is always a challenge. I have sent out postcards in the past but thought it was
time to up my game.
I’d seen
other illustrators like Owen Mathers and Willa Gebbie make their own
promotional brochures to send out and I thought it might be good to try
something new myself. I decided to work with a designer to produce a promotional piece
as I thought they could offer a fresh insight.
I chose to
work with Julia Woollams from the design agency 31% Wool. Julia is one of the
founders of ‘Croydonist’ and I always love seeing her work. We had a meeting to
discuss what type of mailer I could send and she went away to create some
concepts. I really liked one of the ideas she came up with which was for a
small notebook, with my illustrations throughout but leaving enough room for
the recipient to write notes in too.
I made a selection
of some of my drawings and Julia produced a layout for the notebook, which
after a couple of revisions, was ready to go to the printers. Julia also
suggested sending it in an interesting envelope so I researched a few different
samples and decided on my favourite. Here are some of the spreads:
I sent
about half of the notebooks out just before Christmas to existing and former
clients. They seemed to well received and I had some lovely thank you emails. With
the rest, I am researching a few new possible commissioners each week and posting
a notebook to them.
Be good to
know if you have any experience of sending out mailers or any advice about
contacting creative commissioners. Or if you are a commissioner, let me know and I'll put a notebook in the post!
Monday, February 24, 2020
Update on my personal project
Some experiments with different
media for my personal project which I talked about a couple of weeks ago.
With these pieces, I painted some
pieces of cartridge paper with watercolour, let them dry, then painted and drew
on top.
I particularly like how this one
turned out.
I did some straightforward
watercolour.
Also some very loose watercolour
pieces on Fabriano paper.
Even tried a little collage
although my cutting skills are pretty poor!
Some sketch book ideas, focussing
on little details.
That's all for now!
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