Thursday, November 19, 2020

Sketchbook pages from Switzerland - September 2020


Sketchbook pages from a wonderful trip to Switzerland in September, when I was invited to give a couple of workshops at the Swiss Urban Sketchers Symposium in Zuoz. I plan to write about the workshops in an upcoming blog post.


Monday, September 7, 2020

Sketchbook pages from late Summer in London

Pages from my current sketchbook, a handmade square one from Laloran. Moving around more in London and making the most of uncrowded locations.


Monday, July 20, 2020

My illustration process - Using photographic reference

One of the things I enjoy about making drawings on location is that the results are your own. No need to search for photos online or look through books for reference images of second-hand impressions. In the past I’ve asked people to model for me when I needed to draw figures or set up still life groups when illustrating food or products. Of course, that isn’t always possible when working on illustration jobs and often I need to look at others photographs for reference.   

As I have never visited Brazil, this series of illustrations for a travel magazine spread of Rio de Janeiro were drawn from a variety of secondary source material. The client sent me some images, I researched some more using Google, looked at a couple of videos and also looked at the location on Google Earth. It is always important for me that I don’t copy other creatives work, as I wouldn’t want mine copied, so that thought is in my mind when I start. I also am trying to create images as I would if I were there, in the actual location, thinking about which elements I would focus on, what shapes, what colours and patterns are important. The idea is always to use the photographs as an aid and not let them dictate the outcome of the illustration.

When creating images for a client I firstly supply a black and white line ‘rough’ to give an idea of what the finished image will look like. Nowadays I try to work directly on these roughs to develop the actual finished illustration so as not to lose any spontaneity that was there in the initial stages.

Here are a couple of the roughs for this series:

At the colour artwork stage, I used a limited colour palette of six colours to help create a cohesive feel to the group of illustrations.

Here are the finished pieces:


Monday, July 13, 2020

GSA illustrations

I recently worked with the team at Goodwood as they relaunched the ‘Goodwood Supporters Association’ also known as the GSA. Here are a few of the illustrations and some screen shots of how they were used online.

The illustrations were made by mixing hand-drawn black lines with digital colour, the whole project being completed to a tight deadline.