Trying out new art materials

As part of being involved in the USk London 10^th Anniversary Weekend, I was given a ‘goodie bag’ containing a variety of art materials. I decided that instead of just looking at them and then putting them to one side, I would use them throughout the summer. It meant removing my tried and trusted watercolour tin as I knew that I would revert back to that if I found it difficult to use the new supplies! You can see some of the experiments in the previous post about the drawing trip to Liverpool too.

VIVIVA COLOUR SHEETS

My initial reaction to using these was how vibrant the colour was! I used them ‘neat’ for this sketch at the ‘Drink and Draw’ evening at the USk UK Leeds Weekend.

I also tried toning the colours down by mixing them with white gouache, as in this sketch of the Corn Exchange in Leeds.

On the plus side the colours are rich and the sheets are small and light to carry around. On the minus side, they can stain your hands (if you are messy like me!) and difficult to mix with each other.

DEEP DEEP LIGHT WATERCOLOURS

I received 3 half pans (in a cute little tin) and a ‘dot’ sheet from this company and particularly liked the more pastel colour shades ‘Cherry Blossom’ and ‘Flax.’ I think they had a big influence on much of my work over the summer. The texture of the watercolours is quite creamy, nice to use and, as I am always looking for colours to use when drawing architecture, felt really useful.

DANIEL SMITH DOT SHEET

This was actually a gift from the USk UK Leeds Weekend, with colours from the sombre palette of Nicholas Lopez.

WINSOR AND NEWTON FINELINER

The fineliner I was given was a 0.1 size and is a decent enough waterproof pen but I am very loyal to my favourites, Tikky pens by Rotring so won’t be swapping over yet.

NEW BRUSHES

I tried new brushes over the summer too; a decorating brush from Harris that had been a gift and I bought two ‘riggers’ from Pro Arte, sizes 1 and 5 and even made a brush roll (recycled from a promotional canvas bag) to hold everything in as a way of making it easy to keep everything together.

INSPIRATION

I think that a lot of the inspiration came from two sources. Firstly meeting up with Carol Gillott aka Paris Breakfast and also going to a colour workshop earlier in the year with ‘The Colour Tutor.’

I met up with Carol on the Friday of the USk London Weekend. I’ve been following her on social media for ages and own one of her prints so it was lovely to meet her in person. We talked about pigments and Paris over an English Breakfast in the unique setting of the Chelsea Arts Club. Great to get a glimpse of her sketchbooks and colours!

In June, I’d spent time in Cambridge at the studio of ‘The Colour Tutor,’ for an intense day looking at colour, specifically in relation to illustration and painting. One of a small group of four people, it was an interesting experience, with demos and time for practical colour mixing. Comprehensive notes from the day were useful as I feel that I have only just scratched the surface and would benefit from spending more time experimenting with colour.